Title: Pharaohs’ Health Pyramid of Giza, built about 3500 years ago.
Artist: Dieter Liedtke
Innovation: Transmission of divine power, ideas and knowledge to the Pharaoh through the light of the heavenly bodies.
Innovation: Presentation that the pyramid was used as a health temple complex for the royal family with reliefs and images also for spiritual preparation for life after death. In addition, the priests took over the mediation between the world of the material this world and the spiritual-divine, life after death, in which the pharaohs had to master a series of rituals and trials in order to finally pass completely into deification. The pharaohs or priests used sunlight, moonlight or starlight for their cognitive work, which were taken into account in the architecture of the pyramid (e.g. in the construction of shafts) to guide spiritual light energies. With the power of the gods, through divine innovations and inspirations of the pharaohs or the high priests or those close to the gods, they transformed these into healing power, knowledge, revelation and principles of faith, which were transferred to members of the royal family. If the pharaoh himself was also in a spiritual role (e.g. Akhenaten), he thus also proclaimed his worldly goals, for the realisation of which he needed the support of the people. In addition to passing on information about these goals, the rituals were intended to proclaim the cohesion within the people as the divine will and thus strengthen it.
Innovation use: Health and population influence (placebo and nocebo) by creating fears and by delineating religions, ethnicities, races and social groups, witnessed by the shamans and leaders to control the group or population.
Innovation ritual: Secretly held adoption of creativity, intuition, insight and promotion of faith to strengthen health and the immune system as well as to guide the population through belief in punishing or helping rules of the gods in this world and the hereafter.
Innovation Technique: Digital print as a unique size/original work of art with Dieter Liedtke’s DNA in the red colour.
Innovation of the series: Disclosure of health, motivational and group or political social rituals. The effect of the recovery rituals can be optimised optimally through first experiences with creativity and affection previously unknown to the sick person (see research results on neurobiology, epigenetics, mirror neurons, nocebo and placebo and the ancient rituals up to the emergence of religions and today’s voodoo) or for group guidance through numerous repetitions by information mediators (see religions and media).
Series name: Art and Healing II
Years working on the series from: 1963
Year of work: 2015
Material: Ink, canvas on stretcher frame
Dimensions: 140 cm x 180 cm
Original-Work N°: 10/4
Art historical value expertise: Artinvest
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