Innovation Masaccio: Central Perspective—Impression of a Wall Breakthrough/ Picture title: The Holy Trinity c. 1425/ Artist Masaccio: 1401–1428/ Innovation Liedtke: Graphic art formula application in the image
Further art-historically documented and scientifically empirical evolutionary steps of art in the Liedtke work
Innovation 1979–1988: Cognitive symbiosis with the work/ The viewer himself becomes a living and breathing work of art. Mirror neurons in the brain of the viewer lead through the work of art, the process of creativity and the understanding of art with the formula to a cognitive fusion of work and viewer.
Innovation 1979–1988: The art formula generates new neuronal connections and synapses as well as epigenetically improved gene programmes of the observer for a re-engaged selective innovation perception and the generation of innovations for self-help, healing and development of creativity.
Innovation: Art Formula
Innovation: juxtaposition of the innovations of different artists in a picture with applied graphics of the art formula
Innovation Technique: Digital Print / Unique Size/Original Artwork with Dieter Liedtke’s DNA in red
Innovation used in the series: art key for any form of art: life + expansion of consciousness = art or old information + new information = evolution.
Innovation Lukas Moser: Introduces new techniques, partly underlays the sea with metal foil so that it appears more watery/ Image title of picture: Magdalenenaltar 1432/ Artist Lukas Moser: 1390–1434
Innovation Stefan Lochner: His application of paint is wafer-thin, so the light brown is visible in Mary’s face/ Image title: Presentation in the Temple 1445/ Artist Stefan Lochner: 1400–51
Series name: Art Formula
Years working on the series from: 1988
Year of work: 2003
Material: Stretched Canvas
Dimensions: 89 cm x 130 cm
Original-Work N°: 1/5
Art historical value expertise: Artinvest
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