Innovation Raphael: Dissolution of Boundaries between the Divine and Earthly Zones/ Picture Title: Transfiguration of Christ c. 1517/ Artist Raphael 1483 – 1520/ Innovation Liedtke: Graphic art formula application in the image
Further art-historically documented and scientifically empirical evolutionary steps of art in the Liedtke work
Innovation 1979-1988: Cognitive symbiosis with the work/ The viewer himself becomes a living and breathing work of art. Mirror neurons in the brain of the viewer lead through the work of art, the process of creativity and the understanding of art with the formula to a cognitive fusion of work and viewer.
Innovation 1979-1988: The art formula generates new neuronal connections and synapses as well as epigenetically improved gene programmes of the observer for a re-engaged selective innovation perception and the generation of innovations for self-help, healing and development of creativity.
Innovation: Art Formula
Innovation: juxtaposition of the innovations of different artists in a picture with applied graphics of the art formula
Innovation Technique: Digital Print / Unique Size/Original Artwork with Dieter Liedtke’s DNA in red
Innovation used in the series: art key for any form of art: Life + expansion of consciousness = art or old information + new information = evolution
Innovation Jan van Eyck: Highest painterly quality around 1430-Beginning of the Dutch Early Renaissance/ Image title: Ghent Altar 1432/ Artist Jan van Eyck 1390 – 1441
Innovation Enguerrand Quarton: Timeless equality of God the Father and Christ in contrast to the world / Coronation of the Virgin, the Crucified and the Last Judgement have not been depicted in this way before/ Image title: Coronation of Mary 1453–54/ Artist Enguerrand Quarton: 1410–61
Series name: Art Formula
Years working on the series from: 1988
Year of work: 2003
Material: Stretched Canvas
Dimensions: 89 cm x 130 cm
Original-Work N°: 1/11
Art historical value expertise: Artinvest
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