Title: Population Health Site Stonehenge, built about 5000 years ago.
Artist: Dieter Liedtke
Innovation: Explaining that Stonehenge was the first place to use different viewing windows for rituals depending on the season, so that complementary rituals for health promotion and healing could be performed almost all year round and people came to Stonehenge from mainland Europe for healing. The stone health temple complex with window openings in the double circles of cut rock is used by shamans and worldly leaders in the role of mediators between the gods and the people, in order to achieve a spiritual and spiritual balance through secretly kept creativity-, The shamans (the community is excluded from the ritual) and their assistants, who appear in the backlight of the sun, moon or stars in the window of the monolith circle used for this purpose as recognisable outline figures with symbols, with the help of divine powers and through divine innovations or inspirations of the shamans or leaders. In these rituals, the helpers take over the task of transforming the information and thus transfer healing power, knowledge, revelation and principles of faith to the participants. In these rituals, the shamans’ helpers take on the task of embodying the divine powers and qualities in their appearance. The rituals were also intended to convey the goals of the worldly leaders of the communities as well as the emotional cohesion of the group in individual or limited community rituals in terms of divine will.
Innovation use: Health and population influence (placebo and nocebo) by creating fears and by delineating religions, ethnicities, races and social groups, witnessed by the shamans and leaders to control the group or population.
Innovation ritual: Secretly held adoption of creativity, intuition, insight and promotion of faith to strengthen health and the immune system as well as to guide the population through belief in punishing or helping rules of the gods in this world and the hereafter.
Innovation Technique: Digital print as a size-unique/original artwork with Dieter Liedtke’s DNA in the red colour.
Innovation of the series: disclosure of health, motivational and group or political social rituals. The effect of the recovery rituals can be optimised optimally through first experiences with creativity and affection previously unknown to the sick person (see research results on neurobiology, epigenetics, mirror neurons, nocebo and placebo and the ancient rituals up to the emergence of religions and today’s voodoo) or for group guidance through numerous repetitions by information mediators (see religions and media).
Series name: Art and Healing II
Years working on the series from: 1963
Year of work: 2015
Material: Ink, canvas on stretcher frame
Dimensions: 140 cm x 180 cm
Original-Work N°: 10/3
Art historical value expertise: Artinvest
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