Title: Graphic Art Deciphering
Artist: Dieter Liedtke
Innovation: Emergence of the new information networking (from the networking of information in the sense of innovation or creation) from the “Absolute Nothingness” (according to species or information group preserving evolutionary networking programmes) into the timeless, gravitational and spaceless, unlimited 4th dimensional plane for the formation of future existence as space, time, energy, mass, biological life, species and societies in the known universe. A permanent information process which is triggered by new information before the formation of the timeless “supernothing” as well as with the entry into the networked 3rd D. space of the visible and measurable universe and which networks and entangles the universe of the 3rd D. and 4th D. evolutionarily on the pure information levels of the networks through innovations or information art simultaneously. Original lila
Innovation: Life (yellow) + expansion of consciousness (red) = art (yellow/red)
Innovation: art formula = art recognition for all people = selective perception of innovations = neuronal, epigenetic and cultural evolution = new ethical society
Innovation: The public application of the graphic formula for art has the effect of dissolving the limitations of creativity, intelligence and health and thus promotes the prosperity of societies.
Innovation: In sociology and philosophy, the art formula leads via the Hegel thesis of the ideal and the Marxian antithesis to the synthesis of an ethical capitalism. It overcomes through creativity exaggerated and unnecessary fears, poverty, separations and exploitations of man as well as the partial philosophies of: Idealism, materialism, dualism, scholasticism, theology as well as existentialism through multisynthesis of empirically evident, newly researched information of the respective present knowledge coupled to the cognitive standpoint of the observer with the integration of open probability networks of knowledge and creative intelligence, for the ethical shaping of the world and co-world.
Innovation: Art through a simple graphic formula to make creativity or innovation visible in the artwork so that everyone from the age of eight can understand what art is and what decoration is.
Innovation: 1979-1988 An art formula that explains art to the population and makes people more artconscious and creative, thus empowering them and democratising all the arts, can be classified in art history as Pop Art (in Pop Art, the popular symbols of the people are depicted and the individual is elevated to the status of star). The art formula, in its simplicity, explains all the arts through its innovations, thus making every art Pop Art and every person a creator. It is the ruler of Pop Art, democratising all the arts and at the same time disempowering itself.
Innovation: The law of art is: the dissolution of the boundaries of the arts and art history or consciousness through art.
Innovation: 1979-1988: Reduction of the innovations to red and the known information to yellow in a graphic with five symbols that everyone knows, for the formula of art.
Innovation: 1979-1988: The art formula generates new neuronal connections and synapses as well as epigenetically improved gene programmes of the viewer for a reactivated selective perception of innovation and the development of innovations for self-help, healing and development of creativity.
Innovation: 1979-1988: Cognitive symbiosis with the work/ The viewer himself becomes a living and breathing work of art. Mirror neurons in the viewer’s brain lead to a cognitive fusion of work and viewer through the artwork, the process of creativity and understanding art with the formula. This generates new neuronal connections and synapses as well as epigenetically enhanced gene programmes of the viewer for a re-engaged selective innovation perception.
Innovation: Cognitive art form application by the viewer leads to new neuronal creativity networks and synapses in the brain of the recipient (see current neurobiological research results).
Innovation technique: varnish from a Peoples’ DNA pool / signature: Liedtke DNA (transparent)
Innovation of the series: reducing the world to a formula
Series name: Formulas for the Universe of Man
Years of work on the series: 1988/2005-.
Year of work: 2020
Material: Digiprint on canvas
Dimensions: 100 cm x 140 cm
Original-Work N°: L11/1
Art historical value expertise: Artinvest
Blockchain secured work certificate